"surfin' bird" || the trashmen || 1964

Family Guy finally forced me to include this song in my blog. No complaints, though, because it was indeed a very important tune for rock n' roll music.

A glorious gem from the glorious era of surf rock, "Surfin' Bird" is just one of many examples of the genius thought put into pop music in the early 1960s. "Pop" was still a fairly new idea at the time, and I don't really believe that it was swallowed by other genres until the British Invasion happened in the mid-'60s. Really, before the boys from Liverpool came along to do their thing, pop music in the states was influenced by black jazz and r&b singers from the '40s. I once heard a record store clerk (who specializes in 45s from the 1950s) say that rock & roll was invented by black jazz musicians, and I agree with him.

Surf rock was a not-so-clear progression of that sound. I'm not just saying that because this song is the result of combining two '50s songs by The Rivingtons (a black r&b group from the '50s). Take a surf rock 45 and play it on the 33 rpm speed. You'll hear doo-wop music, the sound of which has a very clear correlation with early r&b music.

OK, enough of a music history / theory lesson.

Seriously, surf rock is really cool stuff. I also love that Family Guy's cultural influence extends as far as it does; as of this post, this tune is #9 on the Top Sellers in Rock on iTunes.

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"i'm always manic (when i'm around you)" || a big yes and a small no || 2008

Another song that falls into this "college pop" genre that I discussed in the previous post.

This is a surefire college radio classic. The first time I heard this tune, I complimented our station's music director on what I thought was the best song she'd chosen since taking the position four months ago.

College radio is built for tunes like this one. You'd never hear this on MTV, or on your local Top 40 station, but for college radio, it's a superhit. (If you're looking for another great example of college radio superhit, check out the song "Beard Lust" by Natalie Portman's Shaved Head from just a few posts back.)

Another tune that falls somewhere between indie rock and ska, "Manic" leaves you feeling sugary and delightful. It almost sounds like a tune that would have played in the background during an episode of Ren & Stimpy. I could just be saying that, however, because it makes me think of angular furniture, cookouts, and shag carpeting, but in a totally cool way.

If I were making compilations of college radio classics about 10 years from now, I'd include this track on my first release. I think it's a perfect milestone for this moment in modern music, and a song that should be tucked in the backs of anyone's mind who works in college radio during this era.

A final thought: The title of their album will make you smile.

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"makeup artist" || marching band || 2008

Songs like this serve as reminders why college radio is the place to find the coolest music that you'll never hear anywhere else.

"Makeup Artist" is deliciously infectious, from its agreeable drumline and guitar riff to its dainty sing-along hook. There's definitely a heavy ska influence, but without the undertone of douchiness that usually comes with ska tunes.

I must admit that I feel a bit dirty liking the song, because liking it puts me on the fringe of indie hipster territory (to use a scientific term). The song is carefully crafted to be neither a ska song nor an indie rock song, instead landing safely in the middle. It's one of those tunes that's cool enough for the skater crowd and mellow enough for the singer-songwriter acoustic crowd. It sounds like a college party.

I'm glad that this is one of the prevalent sounds in college radio, because it's taking the idea of "pop" to a new dimension. When examined alongside another trend in college radio, rock music with powerful electronics (mainly drum machines and synths), I'd say that the whole lot could be grouped into a "college pop" category. This stuff is today what the Spin Doctors and 4 Non Blondes were in the '90s.

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"ride captain ride" || blues image || 1970

I'm not a fan of most music from the '70s. In fact, I once made the argument to my brother that one is very hard pressed to find a hit song from the '70s that wasn't campy or ridiculous in some way. Obviously, there are exceptions ("Imagine" by John Lennon, I suppose), and I don't really consider this one of them.

British music was really really really really really cool in the early '70s, so I think it's neato that this little band from Tampa was able to pull off a hit song amidst all the Brit-hype. Singer Mike Pinera has a very unusual voice for this kind of music. He almost sounds like an aging blues singer who can't fully break from his gutteral nature to sing a rock song. The really cool thing, though, is that it totally works.

I read this quote from Pinera about the process of writing this song, and I absolutely need to share it here:

"I went into the bathroom, and I shut the door, and I just meditated. I calmed my mind, and I started hearing music. I went out and sat at the piano, which was a Rhodes Model No. 73, which had 73 keys. So I say, 'Okay, I need a first word.' And what came into my head was 73. I liked the rhythm, and I went, '73 men sailed in, from the San Francisco Bay.' The song sort of just wrote itself from there." (Source)

It's a cool little story that matches one of the coolest, if not the coolest song from that era.

It's a shame that Blues Image was never able to match the success of their hit song, but really, did they need to? This song is still an icon of the '70s, and it still often appears in '70s flashbacks in popular movies and television shows. And if that doesn't tell you that you wrote a cool song, I don't know what does.

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Available On:
Anchorman (Soundtrack)	Universal	B0002864-02	CD

"bandages" || hot hot heat || 2002

Indie rock meets jumpy jangle rock in this cool tune from the earlier half of our fine decade.

Hot Hot Heat are an indie rock band from Canada. They have a huge fan base, but to me they're just one of the many indie bands that managed to write one or two absolutely killer songs (the other being "Goodnight, Goodnight") and then failed to deliver anything else nearly as cool. Their latest album, Happiness Ltd. was pretty disappointing after hearing those two killer singles from previous albums.

"Bandages" is the kind of song that you hear on the radio for the first time, and do everything in your power to find out who's singing it, because you know you'll be dying to hear it again.

I wish indie rock would lean more in this direction: Catchy, cutesy rock songs, as opposed to wanky bullshit that no one cares about (read: From First To Last). I think songs like this are pushes in the right direction for modern rock music.

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Available On:
Make Up The Breakdown	Sub Pop	SPCD 599	CD

"i love you cause i have to" || dogs die in hot cars || 2004

The title of this one already makes you want to hear it, no?

I was so pleasantly surprised when I heard this song back in 2004. It reminds me of early-'90s alt rock, but the influence of a ska sound is absolutely undeniable. Odly enough, I've never heard a more pleasant combination of two SUCH different styles of rock music! It's such a healthy blend that I can't even say that it leans toward one sound over the other.

The song's lyrics are just precious. The guy is depressed over his crappy relationship, so how does he cope?

"Now I spend most of my time playing computer games"

Yes, you heard correctly.

Hilarious.

I really wish these guys would pop out another album. I didn't really find any other winners on this record, but "Godhopping" isn't a bad tune. It definitely leans more toward that '90s alt rock influence.

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Available On:
Please Describe Yourself	V2	63881-27204-2	CD