14 February 2021

top 25 of 2020 | 15-1

Honorable Mentions

I wanted to briefly mention two songs that were standouts for me last year, but that I didn't feel qualified for this list. One was not released this year, and the other was more of a remix than a cover of an old song.

Evan Olson - "So Much Better"

I'm burying the lede a bit here, but this song was the topic of the best podcast episode I listened to last year, Reply All's "The Case Of The Missing Hit": The story of a guy who remembered a radio song from his late-'90s childhood that nobody else remembered existing. Spoiler: It was this.


Kygo ft. Donna Summer - "Hot Stuff"

I'm not even sure it's fair to call this a remix; it's really more of a re-sheen, a polish of the disco hit we all know and love. But it is great, and they even shot a cute little video for it!


15. Dua Lipa - "Cool"

Dua Lipa (whose real name, I was surprised to learn, is Dua Lipa), has been around for a few years now, but 2020 was truly her breakthrough. Her album was reviewed far and wide as one of the year's best, and it makes sense; it's a collection of incredibly competent pop songs that sound contemporary and interpolate some '80s ideas that are en vogue.

This track is a particularly good example of that. Her vocal delivery is undoubtedly of this moment, and assuming the synth motif isn't directly pulled from some underground '80s track I've never heard, it is an absolutely brilliant tribute to that era. I love the way it doesn't ascend to the note you think it's going to, dropping down instead to a complimentary lower tone in the scale. Delicious ear bubbles!


14. Bebe Zahara Benet - "Banjo"

The first lady of Cameroooooooooooooon herself put out this absolute toe tapper early in the year, and it's haunted me as a near-daily earworm ever since. It's so easy to run with the cadence and make up your own lyrics about what the dude wants to do to you like a banjo.


13. Blair St. Clair - "All Your Exes"

A lot of drag queens are also gay dudes, and gay dudes love hot electropop, so it's not a surprise that a lot of drag queens who dabble in music end up making hot electropop songs. I absolutely love the production on this and just think it's a really cute and extremely gay little song.


12. TWRP - "Only The Best"

I haven't heard a song with this specific kind of groove since Daft Punk released their magnum opus Random Access Memories in 2013. It's funky as hell, has great synth motifs, and a robot singer that doesn't feel the slightest bit cheesy for some reason. Damn it I miss roller skating, and I'll be requesting this one the first time I'm back on the rink.

I also love the ever-so-slight alteration at the end of the bridge to avoid a direct Michael Jackson ripoff. Hilarious.


11. Brianna Hildebrand - "We Belong"

Covers are an extremely rare inclusion on my year-end top songs lists, but Hildebrand delivers this song with so much love, emotion, and expressiveness, I'd have been a damn liar to leave it off. She was the star of the Netflix series Trinkets, a realistic story of trauma and teen troubles shot in my beloved Portland. This song plays over the credits of the series finale, and I had no idea it was her singing when I first saw it, so learning that made it all the more special.

Not germane to this entry, but worth noting: You should absolutely listen to Pat and her husband Neil tell the story about writing its music.


10. RuPaul - "Ruby Is Red Hot"

Kudos to the writers of this genuinely charming series for making RuPaul seem human for ten episodes. I'm not being the slightest bit cynical or sarcastic when I say how much I truly loved every minute of this show. It had the energy, charm, and innocence of an '80s road movie, while still tackling some heavy stuff. It's a damn shame it died after a single season, but I'm sure glad we got it.

This was the series theme, but also served as the titular queen's ringtone, which was just too perfect. It's a delightul Patti-Labelle-a-la-Beverly-Hills-Cop romp, matching the series' overall feel.


9. Freezepop - "Fantasizer"

Freezepop will always be one of my favorite bands, and I'll always be exited about whatever they're up to. They're genuinely kind people who just really, really, really love synthpop and are very, very, very good at making it. Liz's signature over their icy synths will always put me in my happy place.

We fans have been waiting YEARS for this album, so finally getting to hear it and how damn good they still are was just awesome.


8. Ollie Wride & Sunglasses Kid - "Stranger Love"

Everyone who's known me for more than 5 minutes knows how much I love synthwave music. Ollie Wride simply has the ultimate synthwave voice. I could listen to this dude sing over a wall of synths and reverbed/gated snares all day every day. The way he crushes these brilliantly-flowed vocal melodies is just...man it's heaven.


7. Troye Sivan - "Easy"

Troye is another of those artists I'll always follow because they have such a deep affinity and respect for pop music, and it comes through in the tightly-constructed motifs and melodies of his songs. I'm never quite sure what the hell is going on in his music videos, especially in the video for the version of this song that featured Kasey Musgraves, but he's just so adorable and talented that I don't care.


6. Kiesza - "Crave"

Kiesza absolutely exploded onto the gay/dance scene in 2014 with the most perfect house song produced since the '90s, "Hideaway," but other than the immediate follow-up "Giant In My Heart," I wasn't really into anything she's put out since...

...until now. Man, Kiesza is BACK! And in a big way, too. This is a massive pop song that would have been a #1 radio hit for the entire summer of 1990.


5. Aiden Zhane - "BOO!"

When Aiden released her debut single "Gein," I was definitely into it, and it would have been on this list, but lower.

But then this bitch had to pull out a 707 basketball kickdrum and release the best goddamn Halloween jam since the Oingo Boingo era, and here we are. I mean goddamn, this is great.


4. Lady Gaga - "Stupid Love"

In a year of some truly stunning pop singles, it was only fitting that the reigning queen of dancepop gave us one of the best singles of her career. She knew her fans were hungry for a track like this after years of loyalty through an experimental era, and boy did she give us what we'd been waiting for.


3. Air Chrysalis - "Beyond My God"

It makes me so, so happy to put a Louisville band this high on a year-end list for the first time, ever. And no nepotism here at all -- I genuinely love this song. It's part new wave, part shoegaze, and just gives me a fuzzy glow from the inside out, sort of like when you can tell there's an old CRT television powered on somewhere in the room you're sitting in.


2. The Weeknd - "Blinding Lights"

Genuinely not much to say here; this is easily the best pop song written in years and will go down as an all-time classic.


1. Sunglasses Kid & PRIMO THE ALIEN - "Fixing Me With Love"

Why is this my top song of the year? It's honestly hard to describe. I'm pretty sure I listened to it more than any other song in 2020, even though it only came out in September. The structure of the vocal melody is perfect. Her delivery is transcendent. The chosen samples are exactly right. It's just all correct!

31 January 2021

top 25 of 2020 | 25-16

Yep, alright, yes, I'm back to just 25 songs this past year. I'm not sure if the music selection wasn't up to my tastes, or Mama Rona snuffed out a lot of creative potential, but probably both.

Nevertheless, some great tunes came out last year, and here are 25 of them.

25. Gorillaz ft. Peter Hook & Georgia - "Aries"

I heard this track before knowing who the featured artist was, and immediately thought "wow, that is some New-Order-ass bass." Welp.

With very few execptions, Gorillaz have only ever been about as interesting to me as Daft Punk, which is not to detract from their talents, just that I don't always find their grooves super compelling. This one, however, is a delightful little trip down a peaceful, new-wavey lazy river. It also features the same Georgia who did the fabulous "About Work The Dancefloor," which slaps!


24. Bright Light Bright Light ft. Initial Talk, Niki Haris & Donna De Lory - "This Was My House"

It's become increasingly important to me in my 30s to be more in touch not just with my queer identity, but also the history of queer people and the people who had to throw bricks so that I can safely exist. This song is both a celebration of queerness and a reminder to respect those who fought for us. It's also an acknowlegement that a lot of us have not had access to our usual public safe spaces in the last year.

It's also a really nice house tune, produced by the absolutely magnificent Initial Talk, whose specialty is taking modern songs and reimagining them as '80s pop tunes, some of them even turning out much better than the originals!

And how awesome is it to see NIKI HARIS on a track in 2020?! You've heard her voice on countless club tunes from the late '80s and early '90s, perhaps most notably on Natural Selection's "Do Anything."

23. LeBrock - "Interstellar"

It's absolutely no secret that I love synthwave music. I especially love the occasional synthwave track with a guitar track (it happens less than you'd think!), and this guy's awesome power vocals just bring it home for me!


22. Jessie Ware - "Save A Kiss"

Jessie Ware has been giving us solid bops for almost a decade now, yet I still feel like almost nobody knows about her, which is dreadful. This is a beautiful dancepop track that draws influence from both house and disco music, delivered with an attitude that lets you know she's British. At her fourth album, she's still as vibrant as ever, and I will continue to stan.


21. Doja Cat - "Say So"

I'm just now noticing as I write about each of these songs that there is kind of a recurring theme of late 1970s disco influences in a bunch of songs last year. Interesting.

Anyway, this song is pretty great. I don't know much about Doja Cat, but if tweets I've seen are any indication, it sounds like that's for the best. This is just a very fun and insanely danceable tune.


20. Oceans Ahead ft. Kali Rea - "Traffic Lights"

I was drawn to this song by how weird it is. It feels like it has no bottom end, no backbone -- but it also doesn't really need one. Despite its decently powerful vocals at times, it's a real wafer. I would love to hear a produced-up version of this with loud sawtooth synths and a buzzy bass track, but I really do love how this one just sits like meringue.


19. Coheed & Cambria ft. Rick Springfield - "Jessie's Girl 2"

Covers are extremely rare on my year-end top songs lists, but this year I had to make more than one exception, and this is the first. And I'm using the term "cover" very loosely here -- it's a reinterpretation, nay, a sequel! to the track we all know and love about being jealous of your friend's squeeze. I would never have pegged this for a Coheed passion project, but it does (sort of) make sense considering the undeniable influence of '80s hair metal on their music. I'm glad Rick is along for the party, too, even if he deserved a bigger part!

If classic movies can get new sequels and reboots, why not classic songs too, right?


18. Greyson Chance - "Dancing Next To Me"

It's been really cool following Greyson's career for these last few years while he really comes into his own as an artist. His music conjures up a lot of feelings and thoughts that I also had in my early 20s, so it's kinda nice to look back on them and smile while I listen to this stuff. This is just a cute song about seeing a hot dude on a dancefloor, but there's some genuinely cute lyrical play.


17. Miley Cyrus - "Midnight Sky"

I have never been able to fully hop aboard the Miley train, but this is a really cute song. She is certainly a person who seems forever in search of an identity, but artists like that can be fun for a while when they stop on an identity with a neat aesthetic that makes good music (see also: Tegan & Sara, Goldfrapp). I am absolutely not buying whatever "I'm a rebel, I was born to run" nonsense she's selling, but this is a very well-produced song and it makes me dance.


16. OFK - "Follow/Unfollow"

This may be the most mysterious entry I've ever included on one of my year-end lists. This song premiered in the middle of The Game Awards and simultaneously popped up on Spotify and YouTube. It appears to be the group's only release. I cannot tell if the lyrics are mocking this "cancel culture" that I am told exists or if they are making a tongue-in-cheek argument for its existence. I love the synths and drum samples, though, so I just wanna dance with you.